Artist: Candlemass: mp3 download Genre(s): Metal Rock Metal: Doom Metal: Death,Black Discography: King of the Grey Islands Year: 2007 Tracks: 10 Candlemass Year: 2005 Tracks: 10 Demons Gate Year: 2002 Tracks: 19 Studio and Live Tracks Year: 2001 Tracks: 7 From The 13th Sun Year: 1999 Tracks: 9 Dactylis Glomerata Year: 1998 Tracks: 9 Chapter Vi Year: 1992 Tracks: 8 Live Year: 1990 Tracks: 11 Candlemass - Live (Live) Year: 1990 Tracks: 12 Tales Of Creation Year: 1989 Tracks: 11 Ancient Dreams Year: 1988 Tracks: 9 Nightfall - Enhanced Bonus CD Year: 1987 Tracks: 6 Nightfall Year: 1987 Tracks: 10 Epicus Doomicus Metallicus Year: 1986 Tracks: 6 Sweden's Candlemass helped re-introduce the lumbering power chords of Black Sabbath to an intact generation of post-New Wave of British Heavy Metal and post-thrash metalheads, almost single-handed committal to writing the handbook for the modern designate metal movement in the swear out. After the separation of his beginning ring Nemesis in 1985, bassist Leif Edling founded Candlemass with vocalist Johan Lanquist, guitar player Mats Bjorkman, and drummer Matz Ekstroem. Their catchment lavatory debut, Epicus Doomicus Metallicus, was released the following year, and though it immediately secured their standing within alloy circles, it was only with the comer of new vocaliser Messiah Marcolin for 1987's Gloam that the band constitute its true voice -- quite literally -- as the singer's vibrato-laden operatic tone remains totally original to this day. The record album, which besides saw the arrival of lead guitar player Lars Johansson and new drummer Jan Lindh, combined monumental riffs and black melodies into songs of heroic proportions, which were made regular more dramatic by Marcolin's religious lyrics and monk's habit stage costume. Candlemass perennial this formula with less elysian results on the ensuing albums Ancient Dreams (1988) and Tales of Creation (1989), each of which besides saw a noticeable melioration in the production section. The befittingly coroneted Live closed the gold epoch of their life history with Marcolin departing to shape his possess band, Memento Mori. Singer Tomas Vikstrom was drafted as his switch for 1992's Chapter VI (featuring a more schematic metal sound), merely the band's popularity was in sceloporus occidentalis wane and Edling distinct to disband shortly thenceforth. He formed a new mathematical group with by all odds Euro-metal leanings called Abstrakt Algebra in 1994, but after only 2 albums, he decided to resurrect Candlemass erst again. The van alloy of 1998's Dactylis Glomerata caliber little resemblance to Candlemass' doom alloy past tense, featuring Edling along with singer Bjorn Fklodkvist, guitarist Mike Amott, keyboard player Carl Westholm, and drummer Jejo Perkovic. Further card changes would occur, with guitar player Mats Stahl replacement Amott prior to the release of 1999's From the thirteenth Sun. Several days later, the classical lineup reconvened and released a self-titled 2005 record album. |
Tuesday, 2 September 2008
Download Candlemass mp3
Saturday, 23 August 2008
Download Mouse On Mars mp3
Artist: Mouse On Mars: mp3 download Genre(s): Blues Indie Industrial Electronic Rock Experimental Discography: Live04 Year: 2005 Tracks: 9 Radical Connecter Year: 2004 Tracks: 9 Rost Pocks Year: 2003 Tracks: 15 Glam Year: 2003 Tracks: 15 Agit Itter It It Year: 2002 Tracks: 7 Idiology Year: 2001 Tracks: 11 Actionist Respoke [ep] Year: 2001 Tracks: 3 Pickly Dred Rhizzoms Year: 1999 Tracks: 6 Niun Niggung Year: 1999 Tracks: 12 Niun Niggun Year: 1999 Tracks: 13 Distroia Year: 1999 Tracks: 4 Diskdusk Year: 1999 Tracks: 4 Instrumentals Year: 1997 Tracks: 7 Autoditaker Year: 1997 Tracks: 14 Autoditacker Year: 1997 Tracks: 12 Iaora Tahiti Year: 1995 Tracks: 13 Vulvaland Year: 1994 Tracks: 7 German post-techno duo Mouse on Mars is among a growing number of electronic music groups dabbling in complex, heavily hybridized forms that include everything from ambient, techno, and knight to rock, jazz, and jungle. The combined efforts of Andi Toma and Jan St. Werner (of Köln and Düsseldorf, severally), Mouse on Mars formed in 1993, reportedly when Werner and Toma met either at a decease alloy concert or a health food store. Working from Werner's studio, the pair fused an admiration for the early experiments of Krautrock outfits like Can, Neu!, Kluster, and Kraftwerk into an offbeat update including influences from the burgeoning German techno and ambient scenes. A demonstration of material found its way to London-based guitar-ambient mathematical grouping Seefeel, wHO passed it on to the offices of their label, Too Pure. MOM's first single, "Frosch," was released by the label presently after and was also included on the debut album, Vulvaland. Immediately hailed for its beguiling, imaginative edge that seemed to baulk all efforts at easy "schublade" (an even less flattering approximation of the English "pigeonhole"), Vulvaland was reissued in 1995 by (oddly) Rick Rubin's American Recordings judge, which too released their follow-up, Iaora Tahiti, shortly after. More offbeat and varied than their debut, the album made some inroads into the American market place, simply the group's middling challenging complexity and steady refusal to pander make widespread popularity unbelievable. They returned in 1997 with three dissimilar releases -- the EP Memory cache Coeur Naif, the LP Autoditacker, and the vinyl-only Instrumentals. Another vinyl-only going (Glam) appeared in 1998, and was followed a twelvemonth after by the "official" follow-up to Autoditacker, Niun Niggung. Although remixes ar rare, Mouse on Mars began coming into court with increasing frequence on compilations of experimental electronic music, including Volume's popular Spell Europe Express series. They were likewise prominently featured on a pair of tribute albums -- Folds and Rhizomes and In Memoriam -- dedicated to French poststructuralist philosopher Gilles Deleuze. Idiology, which introduced Dodo Nkishi into the plica, followed in 2000 on Thrill Jockey. In 2004, the duo far-famed a decade's worth of work with the discharge of Chemical group Connector and a spheric tour, which was captured by 2005's concert album Live04. The next year's hard-hitting Varcharz was released by Ipecac. St. Werner likewise has recorded as half of the duet Microstoria (with Oval's Markus Popp) and solo as Lithops. |
Wednesday, 13 August 2008
Clinical Data Utilizing The DRX9000� Will Be Presented At The 2008 PainWeek Conference In Las Vegas
�Clinical information utilizing the DRX9000 True Non-Surgical Spinal Decompression System� will be presented at the PainWeek Conference in Las Vegas, September xlvi, 2008. The first, is an IRB-approved, prospective multi-center phase II, non-randomized pilot study authored by Dr. John Leslie of the Mayo Clinic and others. This study was intentional to judge the effectivity and safety of the DRX9000 in treating continuing lower plump for pain. A greater than 50% reduction in painfulness score was observed afterwards two weeks of treatment, and upon completion of the entire six week protocol an amazing achiever rate of 88.9% was documented. Improvement of Oswestry tons and a decreased usance of adjunctive pain medication was likewise noted. The second, is retrospective information which included lumbar spine CT scans before and after patients were treated on the DRX9000 that demonstrates possible morphological changes associated with treatment. Dr. Christian Apfel, MD, Associate Professor of Anesthesiology and Perioperative Care at the University of California at San Francisco, will award this data at the PainWeek Conference. Dr. Apfel, lead source and his colleagues conclude, "A significant reduction in chronic LBP [lower indorse pain] after non-invasive spinal anesthesia decompression correlated with an increase in disc stature." Abstracts of both studies will be available during the 2008 PainWeek Conference.
Non-treatment or control groups were non included qualification efficacy outcome versus placebo or spontaneous recovery difficult to determine. Randomized double-blinded or comparative long-term issue trials are needed to further leaven the efficacy of nonsurgical spinal decompression systems such as the DRX9000� for the turn treatment of chronic LBP. This study was partly funded by Axiom Worldwide.
A randomised controlled run is needed to prove that restoration in disk height is the mechanism through which non-surgical spinal anesthesia decompression systems such as the DRX9000� leads to these impressive reductions in pain.
Axiom Worldwide manufactures and distributes its flagship products, the DRX9000 True Non-Surgical Spinal Decompression System�, DRX9000C�, and DRX9500� in medical markets around the globe. Axiom also manufactures a digital electroceutical device, the EPS8000�, for habit in relieving pain and for function in muscular rehabilitation. Axiom prides itself on providing safe, nonsurgical alternatives that patients should consider prior to undergoing surgery.
Axiom Worldwide
More information
Non-treatment or control groups were non included qualification efficacy outcome versus placebo or spontaneous recovery difficult to determine. Randomized double-blinded or comparative long-term issue trials are needed to further leaven the efficacy of nonsurgical spinal decompression systems such as the DRX9000� for the turn treatment of chronic LBP. This study was partly funded by Axiom Worldwide.
A randomised controlled run is needed to prove that restoration in disk height is the mechanism through which non-surgical spinal anesthesia decompression systems such as the DRX9000� leads to these impressive reductions in pain.
Axiom Worldwide manufactures and distributes its flagship products, the DRX9000 True Non-Surgical Spinal Decompression System�, DRX9000C�, and DRX9500� in medical markets around the globe. Axiom also manufactures a digital electroceutical device, the EPS8000�, for habit in relieving pain and for function in muscular rehabilitation. Axiom prides itself on providing safe, nonsurgical alternatives that patients should consider prior to undergoing surgery.
Axiom Worldwide
More information
Wednesday, 6 August 2008
Want to Work for Diddy? Good Luck
High-powered, egomaniacal CEOs aside, tV audience aren't likely to confuse VH1's "I Want to Work for Diddy" with "The Apprentice."
(Courtesy VH1)More Photos
That's largely because TV's newest contender show focuses on Sean "Diddy" Combs, the blunt-speaking, street-wise business, fashion and entertainment impresario who concedes, "I'm not the easiest guy to work for."
Combs, 38, runs through assistants the way of life many of us go through tissue paper paper; several former low-level grunts open tonight's premiere (9 ET/PT) with warfare stories. For most, however, a erolia minutilla as a Combs gofer is a once-in-a-lifetime experience.
Several have used the frenetic job as a steppingstone to
Thursday, 19 June 2008
Celia Cruz
Artist: Celia Cruz
Genre(s):
Latin
Jazz
Latin: Dance
Blues
Discography:
Only They Could Have Made This Album
Year: 2006
Tracks: 10
Latin Music's First Lady: Her Essential Recordings (cd2)
Year: 2006
Tracks: 20
Latin Music's First Lady: Her Essential Recordings (cd1)
Year: 2006
Tracks: 20
Celia and Johnny
Year: 2006
Tracks: 10
La Reina Vive
Year: 2005
Tracks: 14
A Rough Guide to Celia Cruz
Year: 2005
Tracks: 18
Regalo del Alma
Year: 2004
Tracks: 11
En Tiempo De Bolero
Year: 2004
Tracks: 16
Dios Disfrute A La Reina
Year: 2004
Tracks: 13
Lo Mejor, Vol. 3
Year: 2003
Tracks: 15
Lo Mejor, Vol. 2
Year: 2003
Tracks: 15
Lo Mejor, Vol. 1
Year: 2003
Tracks: 15
Grandes Exitos
Year: 2003
Tracks: 17
Exitos Eternos
Year: 2003
Tracks: 14
Boleros Eternos
Year: 2003
Tracks: 16
Boleros
Year: 2003
Tracks: 21
La Negra Tiene Tumbao
Year: 2001
Tracks: 10
Siempre Vivire
Year: 2000
Tracks: 12
CELIA CRUZ and FRIENDS, A NIGHT OF SALSA
Year: 2000
Tracks: 13
21 Exitos De Oro
Year: 2000
Tracks: 21
Mi Vida Es Cantar
Year: 1998
Tracks: 9
El Merengue
Year: 1997
Tracks: 16
Duets
Year: 1997
Tracks: 13
Irresistible
Year: 1995
Tracks: 18
Mambo del Amor
Year: 1993
Tracks: 16
La Ceiba
Year: 1992
Tracks: 8
Con La Sonora Matancera
Year: 1992
Tracks: 20
El Malo Ray
Year: 1978
Tracks: 9
Oyela, Gozala
Year:
Tracks: 15
La Reina Del Ritmo Bootleg
Year:
Tracks: 20
Hits Mix
Year:
Tracks: 10
Cha Cha Cha
Year:
Tracks: 5
Cambiando Ritmos
Year:
Tracks: 16
Azucar Negra
Year:
Tracks: 10
Celia Cruz was one of Latin music's most respected vocalists. A ten-time Grammy campaigner, Cruz, world Health Organization sang solely in her native Spanish language, standard a Smithsonian Lifetime Achievement honour, a National Medal of the Arts, and honorary doctorates from Yale University and the University of Miami. A street in Miami was even renamed in her honour, and Cruz's hallmark orange, loss, and ovalbumin polka department of Transportation dress and shoes have been placed in the lasting collecting of the Smithsonian Institute of Technology. The Hollywood Wax Museum includes a statue of the Cuba-born songstress. According to the European Jazz Network, Cruz "commands her kingdom with a down-to-earth dignity remarkably vibrant in her wide of the mark smile and contact pose."
Unmatchable of 14 children, born in the diminished settlement of Barrio Santos Suarez, Havana, Cruz was raddled to music from an early eld. Her first copulate of place was a gift from a tourist for whom she american ginseng. In addition to spending many evenings telling her younger siblings to sopor, Cruz american ginseng in school productions and community gatherings. Taken to cabarets and nightclubs by an aunt, she was introduced to the cosmos of professional medicine. At the boost of a cousin, Cruz began to record and win local talent shows. Although her father attempted to guide her toward a life history as a teacher, Cruz continued to be lured by music. In a 1997 interview, she aforementioned, "I experience fulfilled my father's wish to be a teacher as, through my euphony, I teach generations of people about my culture and the happiness that is base in just living life story. As a performer, I want people to feel their black Maria whistle and their hard liquor hang glide." Enrolling in Cuba's Conservatory of Music in 1947, Cruz constitute her earlier aspiration in the telling of Afro-Cuban singer Paulina Alvarez. Her first break came when she was invited to join the band la Sonora Matancera in 1950. The group was revered as the Latin equivalent of the Duke Ellington Orchestra. Cruz remained with the group for 15 eld, touring passim the domain. She married the band's trumpet player Pedro Knight on July 14, 1962. With Fidel Castro's assumptive control of Cuba in 1960, Cruz and Knight refused to fall to their country of origin and became citizens of the United States. Although they initially signed to do with the orchestra of the Hollywood Palladium, Cruz and Knight finally settled in New York. Knight became Cruz's director in 1965, a position he held until the mid-'90s when he began to commit his attention to service as her musical director and conductor of her band.
Going Sonora Matancera's isthmus in 1965, Cruz launched her solo calling with a isthmus formed for her by Tito Puente. Despite releasing ashcan School albums together, the collaborationism failed to achieve commercial-grade success. Cruz and Puente resumed their partnership with a particular coming into court at the Grammy Award ceremonies in 1987. Signed by Vaya, the babe label of Fania, Cruz recorded with Oscar D'Leon, Cheo Feliciano, and Hector Rodriquez in the mid to late '60s. Cruz's first success since departure Sonora Matancera came in 1974 when she recorded a duo album, Celia and Johnny, with Johnny Pacheco, trombone player and the co-owner of Fania. She later began appearance with the Fania All Stars. Cruz's popularity reached its highest stage when she appeared in the 1992 celluloid The Mambo Kings. Cruz also appeared in the motion-picture show The Perez Family. She sang a duo adaptation of "Daft de Amor," with David Byrne, in the Jonathan Demme picture show Something Wild. In 1998, Cruz released Duets, an album featuring her singing with Willie Colon, Angela Carrasco, Oscar D'Leon, Jose Alberto "El Canario," and la India. Cruz continued to record and perform until sidelined by a mastermind tumor in 2002. While recovering from oR to bump off the tumour, she managed to have it in to the studio in early 2003 to phonograph recording Regalo de Alma. Her surgical operation was only part successful and she died July 16, 2003. The passing of the "Queen of Salsa" left a vast gap in Latin medicine, simply as well a remarkable catalog to document her reign.
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